Your models can be arranged in lots of different ways on your tabletop. Are they sturdy? Yes! You can safely use most ordinary Metal Miniatures on cardstock terrain made from cover-weight paper. Transform your tabletop with just a few affordable supplies, and some spare time. This 28mm scale card models kit contains all of the printable files and step-by-step assembly instructions you need to create a sprawling futuristic colony with towers, stairways and elevated walkways. Unfortunately, they’re probably just going to make more of these movies.Forgotten and forsaken, the colony of Babylon sits at the edge of explored territory, a lonely outpost facing the unknown… For that matter, Spiral‘s killer might be better off designing amusement park rides or Rube Goldberg machines for elaborate stage productions. If Rock is looking to follow the Liam Neeson path into reinventing himself as a late-career action hero, he might want to hone his unique set of skills on better material. His move into dramatic acting was better served in the most recent season of “Fargo,” where his charisma glimmered through cool restraint.
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What does it say about our society that even a depraved serial killer is disgusted by the behavior of American cops? Rock, whose comedy on social issues has been so brilliant and incisive, is mostly wasted in scene after scene where he has little to do but react to circumstances while looking grim. Awkwardly insistent flashbacks fill in the story once the killer’s identity is revealed, sapping the story’s momentum at key points, while potentially interesting questions about the consequences of there being so many bad apples in the police force are never really explored. It’s all here and more, with buckets of blood, and while the tone and score of Spiral feel grimmer and grittier than the funhouse vibe of some of the earlier films, it’s just as clear that the unblinking depiction of the suffering and death of helpless victims is the real point of the movie. If you really want to watch a man’s tongue get yanked out of his throat, or someone’s fingers get pulled off, or someone’s face smothered in hot wax, then this is the film for you. Frustratingly, the plot forces them apart for long stretches, interspersed with fiendishly graphic torture scenes as one bad cop after another falls victim to the pig-masked killer. He’s embittered and crusty, and the few scenes that pair Jackson and Rock are the high points of the film. Jackson as Banks’ retired police chief father, Marcus. All the precinct drama feels like an underwritten subplot from a Don Winslow novel, with the wild card turning up in the form of Samuel L. His new partner, rookie William Schenk (Max Minghella), is the naive foil to Banks’ cynical gumshoe. The killer, it seems, has a vendetta for crooked cops, not unlike Banks himself, who’s been shunned by his fellow officers for having turned in his previous partner for shooting an innocent man. The task of figuring out these puzzles requires Banks to deconstruct the wordplay in the clues, as if his police training involved intensive pun mastery. Of course, there are no books involved, but there are plenty of ominous audio recordings, grainy videos and mysterious packages, all containing clues about the killer’s victims and motives. But while Rock brings a touch of gravitas to the production in the form of some hardboiled cop drama, the film doesn’t stretch very far away from its blood-soaked roots, as signaled by the film’s goofy subtitle: From the Book of Saw. Rock, an avowed Saw fan, reportedly pitched the film’s story and takes an executive producer credit, with Saw veteran Darren Lynn Bousman directing. What initially sets Spiral apart from its predecessors is the involvement of Chris Rock, who takes on the role of straight-arrow detective Zeke Banks. The famous clown puppet on a tricycle does not appear either, but there is a pig-faced marionette to fill that slot. While Spiral does contain a juicy twist, it’s no spoiler to reveal that the murder-mastermind is no longer Tobin Bell’s Jigsaw character, who was killed off in an earlier movie.
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Now, in Spiral, the filmmakers make a ploy for launching what seems designed to be a spinoff franchise: a copycat movie about a copycat killer. This formula has functioned for nine movies now, with varying degrees of effectiveness, while never straying much beyond the bottom end of the quality spectrum following the first film’s low budget but genuinely clever reveal. In the case of the Saw movies, initiated by James Wan and Leigh Whannell in 2004, that would be gratuitous torture porn with a shocking third-act twist. There are plenty of schlocky film franchises that illustrate the Hollywood truth that movies don’t have to be very good to reliably make money, as long as audiences get what they came for.
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